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Tuesday, October 13, 2026
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Film Analysis: Sleaford Mods' Jason Williamson Assumes Character in Critical Examination at 90s Rave Culture

Produced by Portishead co-founder Geoff Barrow, this sharp-edged if slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Duel

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The central theme – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, enraged after David kills his dog. Nevertheless, a darkly funny standoff takes hold – David desperate to escape; the Poacher denying his container of scrumpy, intent on soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Vibe

There is only one important plot development, but it results in a hilariously staged chaotic run on the woodland paths that veers toward rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

The film is in UK and Irish cinemas from 17 November.

DG
Written by

Daniel Garcia

A tech strategist with over a decade in digital transformation, passionate about emerging technologies and innovation.

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